On March 11, 2021, Christie’s concluded an online auction of Beeple’s *Everydays: The First 5000 Days* at a price realized of $69,346,250, including the buyer’s premium. The auction house described the lot as the first purely digital, NFT-based artwork offered by a major auction house and said the result was the third-highest auction price for a work by a living artist.

The transaction was consequential beyond the art market. A blockchain-linked digital collectible had received the pricing, identity checks, buyer approval process and public record associated with an established international auction house. It was a striking institutional bridge between Ethereum’s emerging NFT economy and a market traditionally organized around physical objects, specialist attribution and centralized intermediaries.

What Christie’s sold

The lot paired a non-fungible token with a 21,069-by-21,069-pixel JPEG collage assembled by Mike Winkelmann, the digital artist known as Beeple. Christie’s identified it as token 40913 under an Ethereum smart contract operated through MakersPlace. The token had been minted on February 16, 2021, and the auction ran exclusively online from February 25 through March 11, with bidding opening at $100.

The work compiled 5,000 images from a project Winkelmann began on May 1, 2007. Although the underlying image could be viewed and copied as a digital file, the token supplied a specific blockchain record associated with the auctioned lot. The event-day records established the identity of that token and its sale terms; they did not establish that every copy of the image became technically scarce or that the auction result represented a general price for digital art.

The auction numbers

Contemporaneous reporting placed the final bid, or hammer price, at $60.25 million and the price with auction-house fees at $69,346,250. Those figures are distinct: $69,346,250 was the single lot’s transaction price including the buyer’s premium, not an index, exchange quotation or estimate of the wider NFT market.

The Art Newspaper reported 353 bids from 33 bidders. Christie’s independently reported 33 active bidders and said 91% were new to the auction house. Christie’s also reported that 55% of bidders were from the Americas, 27% from Europe and 18% from Asia. Those participation statistics were supplied by Christie’s rather than independently audited market data, but they indicated that the sale attracted a largely new customer group.

A controlled route for cryptocurrency

Christie’s permitted the purchaser to elect to pay the lot’s purchase price in Ether. The auction conditions restricted eligible payments to wallets maintained with specified regulated custody or exchange providers, including Coinbase, Fidelity Digital Assets, Gemini and Paxos. The buyer’s premium was not eligible for cryptocurrency payment under the terms described in contemporaneous reporting.

That option mattered institutionally, but it should not be confused with proof that the winning bidder paid in Ether on March 11. Christie’s event-day announcement did not identify the purchaser or document completed settlement. It established an auction result and a permitted payment route; settlement, token transfer and the buyer’s identity required separate confirmation.

Why the result mattered

The sale demonstrated that an NFT could command a price comparable with celebrated physical works when marketed through an established intermediary. It also showed that blockchain provenance did not remove centralized gatekeepers: Christie’s still controlled bidder admission, identity verification, fees, payment channels and the legal sale process.

The result was therefore both a validation point and a limitation. It supported the existence of intense demand for one prominently marketed NFT-linked artwork on March 11, 2021. It did not prove durable liquidity, establish a valuation method for other NFTs or resolve questions about intellectual-property rights, custody, platform dependence and long-term access to associated digital files.

Primary sourceChristie’s — Beeple’s purely digital NFT-based work achieves $69.3 million

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